Jeff Buhler has been an movie fanatic since childhood. After making a series of ultra-gory super-8 horror films in high school, Jeff went on to study Film and Theater Arts at UC Santa Cruz.
During the late 90’s, Jeff worked in various facets of the film industry from development through post production and even found himself acting for theater companies including The Actor’s Gang and the Evidence Room. He is an alumni of Second City and has appeared in many independent films.
Jeff’s big break as a screenwriter came when he sold an original idea to Working Title Films in 2000. His work on that script led to an assignment re-writing the horror spec “Cave†for Working Title Films.
After pitching a feature version of the Clive Barker short story “The Midnight Meat Trainâ€, Jeff landed the writing honors and worked closely with Barker bringing the adaptation of his classic short story to life under the direction of famed Japanese director, Ryuhei Kitamura.. The film was released theatrically in August of 2008 by Lion’s Gate Films.
Jeff made his feature directing debut for Sony Pictures from his original script “Insanitarium.â€Â The project follows a man who commits himself to an asylum to save his sister only to find the methods employed in the hospital are less than orthodox. The film was released through Sony Pictures Home Entertainment in July 2008.
“Ghoulish” Gary Pullin is an award-winning freelance artist residing in Toronto Canada and has steadily carved out his own unique niche with-in the genre he loves – horror. In 2009 he was voted artist of the year at the Rondo Hatton Classic Horror Awards, an organization which recognizes professionals working in the horror realm. For over ten years he made his mark as Art Director at Rue Morgue Magazine, the world’s leading genre publication dedicated to horror in culture and entertainment. His artwork and influence at Rue Morgue helped shape the ever-evolving face of horror, leading him to work with many notable contemporaries such as musician/filmmaker Rob Zombie and artist Mike Mignola (Hellboy), as well as the influences that inspired him to create in the first place, such as horror icons Clive Barker and Basil Gogos. Gary’s work has hung in galleries across the globe and has been published in numerous publications, such as Royal Flush and the heavy metal magazine Revolver. When he’s not making monsters, Gary is Rue Morgue’s resident art columnist for The Fright Gallery and has been interviewed for several genre-related documentaries, the latest being Fanboy Confessional – a TV series on SPACEchannel about fans and personalities with an undying love for counter-culture.”
http://ghoulishgary.com
Writer director Glenn McQuaid was born and raised on the North side of Dublin. McQuaid’s first Collaboration with Larry Fessenden came about when he coordinated the visual effects on THE ROOST. Since then he has worked on several of Glass Eye Pix productions including THE LAST WINTER, HOUSE OF THE DEVIL and STAKELAND. McQuaid’s feature debut I Sell the Dead was a festival favorite that sold to IFC and is currently available to rent or buy at all decent retailers. He is currently curating TALES FROM BEYOND THE PALE, and developing various feature projects.
has spent the last 19 years working in film, audio, and music production on projects of all shapes and size, from audio books and radio dramas to network television and feature films. When not writing, directing or editing his own projects he works as an independent producer, and music editor on such network shows as Life On Mars and No Ordinary Family.
Matt Kagan grew up in the heart of the Los Angeles rock music scene with bands like Chicago and Rufus jamming in his living room. He was the lead singer of his high school and college rock bands. He began DJing in Hollywood in 1999 and has been composing music since 2001. While scoring television commercials and producing indie artists has been his music mainstay, electronica and dance music is his passion. Hear more at mattkagan.com
has been working at DigIt Audio since 2008 as a technical engineer and sound editor. He was sound editor on BITTER FEAST, STAKE LAND, THE TILLMAN STORY and UNIVERSAL SOLDIER: REGENERATION, among many other titles. MAN ON THE LEDGE is Sellye’s first radio program.
DigIt audio is a full service audio post production facility specializing in Sound design and mixing for film and television. Digit has provided sound design and mixing facilities from action features like UNIVERSAL SOLDIER: REGENEARTION to indie classics HALF NELSON, LAUREL CANYON, HAPPINESS, HIGH ART, ANOTHER GAY MOVIE, JOSHUA and dozens of documentaries from SOUL POWER to ROMAN POLANSKI: WANTED AND DESIRED. DigIt audio has partnered with Glass Eye Pix on over a dozen projects since 2001 including WENDIGO, THE LAST WINTER, THE ROOST, TRIGGER MAN, AUTOMATONS, THE HOUSE OF THE DEVIL, LIBERTY KID, I SELL THE DEAD, BITTER FEAST, and STAKE LAND. www.digitaudio.com
